Kenneth Goldsmith (born 1961) is an American poet. He is the founding editor of UbuWeb, teaches Poetics and Poetic Practice at the University of Pennsylvania and is Senior Editor of PENNsound. He hosted a weekly radio show at WFMU from 1995 until June 2009. He has published ten books of poetry, notably Fidget (2000), Soliloquy (2001) and Day (2003) and Goldsmith's American trilogy, The Weather (2005), Traffic, (2007) and Sports, (2008). He is editor of I’ll be Your Mirror: The Selected Andy Warhol Interviews (2004). He resides in New York City with his wife, artist Cheryl Donegan and his two sons.
Goldsmith was born in Freeport, New York. He was trained as a sculptor at the Rhode Island School of Design and graduated with a B.F.A in 1984. Goldsmith worked for many years within the art world as a text-based artist and sculptor before breaking with the traditions of his practice to become a writer. [1]
Driven by a preoccupation with “Uncreativity as Creative Practice”, Goldsmith is essentially the habitual editor of one large project, contributing to both the study and practice of poetry as a writer, academic and as curator of the prolific archives at UbuWeb. His process, a series of writing and self—induced constraints has produced 600 pages of rhyming r phrases, sorted by syllables and alphabetized (No. 111 2.7.93-10.20.96, 1997); everything he said for a week (Soliloquy, 2001); every move his body made during a thirteen-hour period (Fidget, 1999); a year of transcribed weather reports (The Weather, 2005); and one day, the September 1, 2000 issue of The New York Times, transcribed (Day, 2003). The Goldsmith's practice embraces the performance of the writer as process and plagiarism as content.
Extensive creative and critical responses to his work are archived at Kenneth Goldsmith, Electronic Poetry Center with several being consolidated in Open Letter: Kenneth Goldsmith and Conceptual Poetics (2005). Notable addresses of Goldsmith's poetry include those of the eminent critics Marjorie Perloff, Craig Dworkin, Sianne Ngai and Johanna Drucker and poets Bruce Andrews, Christian Bok, Darren Wershler-Henry, Christine Wertheim, and Caroline Bergvall. Poet and Critic Juliana Spahr asserts, "Kenneth Goldsmith is without a doubt the leading conceptual poet of his time".[2] Mexico's leading national newspaper Mileno said, "Joyce hoy, Kenneth Goldsmith es el autor más emblemático de la primera década del siglo XXI."[3]
The first symposium on Conceptual Poetics was held at the Olso Poetry Festival in November 2007. A larger conference, Conceptual Poetry and its Others, organized by critic Marjorie Perloff was held at the University of Arizona Poetry Center in May 2008.
As a teacher at University of Pennsylvania, Center for Programs in Contemporary Writing, [4]. Goldsmith’s syllabus includes Uncreative Writing [5], Interventionist Writing [6] and Writing Through Art and Culture [7] in partnership with the Institute of Contemporary Art, Philadelphia. Class tools are appropriation, theft, stealing, plundering and sampling. Cheating, fraud and identity theft are all encouraged. For Goldsmith the classroom, is a free space into which ethical queries can be conducted in a safe environment. An in-depth article from UPenn's Daily Pennsylvanian discusses Goldsmith's pedagogy [8]. In addition, Goldsmith has also run a graduate seminar at the School of the Art Institute of Chicago entitled "Publishing as Project."
He has been awarded the The Anschutz Distinguished Fellow Professorship [9] in American Studies at Princeton University for 2010.
Radio, Sound, Live Events and Collaborationsmoreless
Goldsmith hosted a weekly show on WFMU, the New Jersey-based freeform radio station, from 1995 until June 2009, using the broadcast name of "Kenny G". The show is an extension of Goldsmith's writing experiments, his pedagogy and UbuWeb.
He has also had numerous collaborations with musicians and composers. In 1993, Goldsmith embarked on a collaboration with avant-garde vocalist Joan La Barbara, resulting in a CD and book 73 Poems (Permanent Press / Lovely Music).
In 1998, the Whitney Museum of American Art commissioned vocalist Theo Bleckmann to stage an interpretation of Fidget. [10]
In 2004, he released a CD with People Like Us called Nothing Special (Soleilmoon) and has done numerous radio performances with Vicki Bennett. [11]
In 2005, Goldsmith collaborated with guitarist Alan Licht to stage an evening length performance of The Weather, as well as excerpts from Fidget. Goldsmith has also collaborated with musician David Grubbs with texts from Fidget.
In 2006, was Goldsmith wrote the libretto for and performed in the TRANS-WARHOL, Chamber Opera based on his book I'll Be Your Mirror; The Andy Warhol Interviews , a collaboration with choreographer Nicolas Musin, composer Philippe Schoeller and Ensemble Alternance. The opera premiered at the Bâtiment des forces motrices in Geneva in March 2007.[12]
Goldsmith has written extensively on experimental music A Popular Guide to Unpopular Music and has curated numerous musical events and compact discs. He was a musical curator for the Whitney Museum of American Art's The American Century, Part 2, which included 73 Poems. In 2004, he curated a CD for the Sonic Arts Network in London called The Agents of Impurity. In 2006 he organized a CD for the Institute of Contemporary Arts in Boston called The Body is a Sound Factory. Also in 2006, he organized an 8 hour-long performance at The Sculpture Center (New York City) of Erik Satie's Vexations "Pianoless Vexations" (UbuWeb) for any instrument other than piano.
In October 2007, a documentary film of Goldsmith's life and practice, Sucking on Words, by filmmaker Simon Morris was screened at Shandy Hall in Coxwold, UK, where Lawrence Sterne wrote Tristram Shandy, and in London. The film was premiered at the Eccles Center at the British Library in London and subsequently screened at the Olso Poetry Festival in November 2007.
In February 2008, he performed at the Instal 08 festival in Glasgow.
On April 17, 2009 Goldsmith organized an evening of contemporary poetry at The Whitney Museum of American Art in conjunction with the Jenny Holzer Retrospective entitled "Conceptual Writing vs. The Flarf Collective" featuring poets from both camps. Conceptualists included Christian Bök, Kim Rosenfield, Darren Wershler, formerly (Darren Wershler-Henry) and Goldsmith himself. Flarf poets included Gary Sullivan, Nada Gordon, Sharon Mesmer and K. Silem Mohammad.
For the July / August 2009 issue of Poetry Magazine[13] published by The Poetry Foundation, Goldsmith introduced and edited a highly controversial portfolio of Conceptual Writing and Flarf.
In April 2009, Goldsmith was awarded a Qwartz Electronic Music Award [14] in Paris for his work on UbuWeb.
In October 2009, Goldsmith advised, curated and participated in The Serpentine Gallery's 24-hour Poetry Marathon [15] in London.
