Friedman formed his first band, King Arthur & the Carrots while a student at the University of Texas. The band - which poked fun at surf music - recorded only one single in 1966 (
Schwinn 24/Beach Party Boo Boo).
By 1971, Friedman had formed his second band, Kinky Friedman and The Texas Jewboys, which many took to be a play on the name of the famous band Bob Wills and His Texas Playboys. In keeping with the band's satirical nature, each member had a comical name: in addition to Kinky there was Little Jewford, Big Nig, Panama Red, Wichita Culpepper, Sky Cap Adams, Rainbow Colours, and Snakebite Jacobs. More conventionally named roadie Jack Slaughter and road manager/money collector Dylan Ferrero rounded out the crew and provided most of the driving of the "tour bus", a Cadillac with 10 year old expired license plates and a nasty predilection for going into a coma at the most inconvenient moment (but, according to Friedman, her talent lay in her ability to stop on a dime and pick up the change).
Friedman's father objected to the name of the band, calling it a "negative, hostile, peculiar thing", which gave Kinky even more reason to choose the name.
Arriving on the wave of country rock following on from Gram Parsons, The Band, and the Eagles, Friedman originally found cult fame as a country and western singer. His break came in 1973 thanks to Commander Cody, who contacted Vanguard Music on his behalf. Friedman released
Kinky Friedman in 1974 for ABC Records, then toured with Bob Dylan in 1975-6. His repertoire mixed social commentary ("We Reserve the Right to Refuse Service to You") and maudlin ballads ("Western Union Wire") with raucous humor (such as "Get Your Biscuits in the Oven and Your Buns in Bed"). His "Ride 'Em Jewboy" was an extended tribute to the victims of the Holocaust.
One of his most famous numbers is "They Ain't Makin' Jews Like Jesus Anymore," a song in which Kinky verbally and physically beats up a drunken white racist who berates blacks, Jews, Greeks, and Sigma Nus in a bar.
Sample lyrics:
- "Oh, they ain't makin' Jews like Jesus anymore,
- They ain't makin' carpenters that know what nails are for"
Other Friedman tunes include "The Ballad of Charles Whitman," in which Friedman lampooned Whitman's sniper attack from The University of Texas at Austin's Main Building tower on August 1, 1966. His cover of Chinga Chavin's "Asshole from El Paso", a parody of Merle Haggard's "Okie from Muskogee" is, perhaps, his most famous song.
In 1975, Friedman and his band taped an
Austin City Limits show which was never aired. According to the show's executive producer, Terry Lickona, this is the first and only time in the show's long history that an episode went unaired. Lickona told the
Austin Chronicle "I've seen it many times — it's a very popular party tape among friends. I think it was a great show, and it might be as offensive today as it was back then." The Austin Chronicle: Music: Looking Out My Back Door: Thirteen from 30 years of 'Austin City Limits'
In early 1976, he joined Bob Dylan on the second leg of the Rolling Thunder Revue tour.
Friedman was a musical guest on
Saturday Night Live in October 1976.
Friedman claims to have been the first full-blooded Jew to take the stage at the Grand Ole Opry.
In February 2007, Sustain Records released a compilation of the songs of Kinky Friedman sung by other artists called
Why the Hell Not... The compilation includes contributions by Dwight Yoakam, Willie Nelson, Lyle Lovett, and Kelly Willis. Peace Corps Online | 2007.02.02: February 2, 2007: Headlines: Figures: COS - Malaysia: Writing - Malaysia: Humor: Music: Sherman Denison Herald Democrat : Kinky invites country greats to sing his songs on "Why The Hell Not..."
On July 20, 2007, Friedman hosted the "Concert to Save Town Lake" to honor the memory of Lady Bird Johnson and her efforts to protect and preserve the shores of Town Lake in Austin, Texas. Digital50: News and more Business News