Book series collaboration
Controversy surrounds Lane's exact role in what became her mother's famous "Little House" series of books. Some argue that Laura was an "untutored genius," relying on her daughter mainly for some early encouragement and her connections with publishers and literary agents. Others contend that Lane took each of her mother's unpolished rough drafts in hand and completely (and silently) transformed them into the series of books we know today. The truth most likely lies somewhere between these two positions — Wilder's writing career as a rural journalist and credible essayist began more than two decades before the "Little House" series, and Lane's formidable skills as an editor and ghostwriter are well-documented . But Lane's New York literary agent, George T. Bye, turned away the initial drafts, commenting that they lacked drama.
The existing evidence (including ongoing correspondence between the women concerning the development of the series, Lane's extensive personal diaries and Wilder's first person draft manuscripts) tends to reveal an ongoing joint collaboration. The conclusion can be drawn that Wilder's strengths as a compelling storyteller and Lane's considerable skills in dramatic pacing and literary structure contributed to an occasionally tense, but fruitful, collaboration between two talented and headstrong women.
It should be noted, however, that the family considered Laura the author with only minor help and advice from Lane. The late Herbert Ingalls for instance, a cousin to both women, visited the Mansfield home while Rose Lane was also visiting with Laura and Almanzo. According to Herbert's account of his visit, Laura was busy writing her second book but the family, including Rose, gave only passing attention to the project. Herbert recounted that the family was happy for Laura, but at that time no one realized how much of an impact her books would have, or how famous she would become. The family continues to maintain that Laura's writing was considered her own project, with Lane's contribution consisting of advice and counsel. In fact, the family reports that Laura sent her first manuscript to Lane's publisher, against Lane's wishes.
Whatever the extent of the collaboration, it seems to have worked both ways: two of Lane's most successful novels,
Let the Hurricane Roar (1932) and
Free Land (1938), were written at the same time as the "Little House" series and basically re-told Ingalls and Wilder family tales in an adult format. The collaboration also brought the two writers at Rocky Ridge Farm the money they needed to recoup the loss of their investments in the stock market. Simply stated: If Wilder had not written the books, they would not exist ... Lane had no interest in writing what she called "juveniles" ... but had Lane not edited the books, they might well have never been accepted for publication let alone become famous. Since the initial publication of "Little House in the Big Woods" in 1931, the books have been continually in print and have been translated into 40 different languages.
Whatever the collaboration personally represented to the mother and daughter was never publicly discussed, however. Wilder's first ... and smallest ... royalty check from Harper in 1932 was for $500 ... the equivalent of $8,000 in 2010 funds. By the mid-1930s the royalties from the "Little House" books brought a steady and increasingly substantial income to the Wilders for the first time in their 50 years of marriage. Various honors, huge amounts of fan mail and other accolades were granted to Laura Ingalls Wilder. The novels and short stories of Rose Wilder Lane during the 1930s also represented her creative and literary peak. Her name received top billing on the magazine covers where her fiction and articles appeared. The
Saturday Evening Post paid her $30,000 in 1938 (approximately $450,000 in 2010 funds) to serialize her best-selling novel
Free Land, while
Let the Hurricane Roar saw an increasing and steady sale, augmented by a radio dramatization starring Helen Hayes. The book remains in print today as
Young Pioneers.
Celebrated author
Lane left Rocky Ridge Farm in the late 1930s, establishing homes in Harlingen, Texas, and Danbury, Connecticut. She eventually ceased fiction writing and spent the remainder of her life writing about and promoting her philosophies of personal freedom and liberty. She became one of the more influential American libertarians of the mid-twentieth century.
During these years, Wilder and her husband were frequently alone at Rocky Ridge Farm. Most of the surrounding area (including the property with the stone cottage Lane had built for them) had been sold off, but they still kept some farm animals, and tended their flower beds and vegetable gardens. Almost daily, carloads of fans would stop by, eager to meet "Laura" of the
Little House books. The Wilders lived independently and without financial worries until Almanzo's death in 1949, at the age of 92. Wilder was grieved, but determined to remain independent and stay on the farm, despite Lane's requests that her mother come live with her permanently in Connecticut. For the next eight years, she lived alone, looked after by a circle of neighbors and friends who found it hard to believe their very own "Mrs. Wilder" was a world-famous author. She was a familiar figure in Mansfield, being brought into town regularly by her driver to run errands, attend church, or visit friends. She continued an active correspondence with her editors, many fans and friends during these years.
Throughout the 1950s, Lane usually returned to Missouri to spend the winter with her mother. Once, Wilder flew to Connecticut for a visit to Lane's home. In the fall of 1956, Lane went to Mansfield for Thanksgiving, and found her 89-year-old mother severely ill from undiagnosed diabetes and a weakening heart. Several weeks in the hospital seemed to improve the situation somewhat, and Wilder was able to return home on the day after Christmas. But she was very old and very ill, and declined rapidly after that point. Wilder had an extremely competitive spirit going all the way back to the schoolyard as a child, and she had remarked to many people that she wanted to live to be 90, "because Almanzo had". She succeeded. On February 10, 1957, just three days after her 90th birthday, Laura Ingalls Wilder died in her sleep in her Mansfield farmhouse.
With Wilder's death in 1957, use of the Rocky Ridge Farmhouse reverted to the farmer who had earlier bought the surrounding land. The local townsfolk put together a non-profit corporation to purchase the house and its grounds, for use as a museum. After some wariness at the notion of seeing the house rather than the books themselves be a shrine to her mother, Lane came to believe that making a museum of it would draw long-lasting attention to the books. She donated the money needed to purchase the house and make it a museum, agreed to make significant contributions each year for its upkeep and also gave many of the family's belongings to help establish what became a popular museum that still draws thousands of visitors each year to Mansfield.
Lane inherited ownership of the "Little House" literary estate for her lifetime only, all rights reverting to the Mansfield library after her death, according to her mother's will. After her death in 1968, Lane's heir, Roger MacBride, gained control of the copyrights. MacBride was Lane's informally-adopted grandson, as well as her business agent, attorney, and heir. All of MacBride's actions carried Lane's apparent approval. In fact, at Lane's request, the copyrights to each of the "Little House" books, as well as those of Lane's own literary works, had been renewed in MacBride's name when the original copyrights expired during the decade between Wilder's and Lane's deaths.
Controversy did not come until after MacBride's death in 1995, when the Laura Ingalls Wilder Branch of the Wright County Library (which Wilder helped found) in Mansfield, Missouri, decided it was worth trying to recover the rights. The ensuing court case was settled in an undisclosed manner, but MacBride's heirs retained the rights. The library received enough to start work on a new building.
The popularity of the
Little House series of books has grown phenomenally over the years, spawning a multimillion-dollar franchise of mass merchandising, additional spinoff book series (some written by MacBride and his daughter), and the long-running television show, starring Michael Landon. Laura Ingalls Wilder has been portrayed by Melissa Gilbert (1974-1984), Meredith Monroe (1997, 1998) and Kyle Chavarria (2005) in television series.
Wilder once said the reason she wrote her books in the first place was to preserve the stories of her childhood for today's children, to help them to understand how much America had changed during her lifetime.
Works
- Little House in the Big Woods (1932)
- Farmer Boy (1933) - about her husband's childhood on a farm in New York
- Little House on the Prairie (1935)
- On the Banks of Plum Creek (1937), a Newbery Honor book
- By the Shores of Silver Lake (1939), a Newbery Honor book
- The Long Winter (1940), a Newbery Honor book
- Little Town on the Prairie (1941), a Newbery Honor book
- These Happy Golden Years (1943), a Newbery Honor book
- On the Way Home (1962, published posthumously) - a diary of the Wilders' move from de Smet to Mansfield, Missouri, edited and added to by Rose Wilder Lane.
- The First Four Years (1971, published posthumously)
- West from Home (1974, published posthumously) - Wilder's letters to Almanzo while visiting Lane in San Francisco in 1915
- The Road Back (Part of Writings from Laura Ingalls Wilder's Journeys Across America, highlighting Laura's previously unpublished record of a 1931 trip with Almanzo to De Smet, South Dakota, and the Black Hills)
- A Little House Sampler, with Rose Wilder Lane, edited by William Anderson
- Writings from the Ozarks
- Writings to Young Women (Volume One: On Wisdom and Virtues, Volume Two: On Life As a Pioneer Woman, Volume Three: As Told By Her Family, Friends, and Neighbors)
- A Collection of Writings
- Laura Ingalls Wilder & Rose Wilder Lane (Letters exchanged by Laura and Rose)
- The Rediscovered Writings
- Laura's Album (A Remembrance Scrapbook of Laura Ingalls Wilder, edited by William Anderson)